Wednesday, December 30, 2015

TV GUIDE, 1967: “Are Injuries Wrecking Pro Football?” Plus Mia Farrow, Don Knotts...even the Beatles

The October 21, 1967 issue of TV GUIDE caught my eye at the local antiques mall. First, a beautiful picture of Mia Farrow on the cover, less than a year before Rosemary’s Baby would be released.

Doe-eyed Mia.

All contents Copyright ©1967 Triangle Publications.

The cover is about Ms Farrow’s return to TV (after Peyton Place) for a broadcast of Johnny Belinda. The sidebar gives a synopsis:

I thought it sounded interesting, so I checked the IMDb, only to find the program may not exist anymore. It hasn’t been seen since its initial showing, and no one has a story for what happened to it. Some reader on the IMDb comments board suspects the video tape was erased and therefore the show is lost. If so that would be too bad. It may turn up some day, sitting in a box in some former network executive or producer’s closet. Stranger things have happened.

It must have been sweeps week on network television the week of October 21-27, 1967. There are Don Knotts, Bob Hope, Sophia Loren specials. Don Knotts warranted a three page article, here reprinted in full, which tells us he left the Andy Griffith Show to be a movie star, and he was...in movies that played in drive-in theaters in rural areas. Well, that wasn’t too bad in those days. Roger Corman made a fortune with movies for that circuit. Knotts did all right for a few years, then appeared again on televison in Three’s Company in the seventies.


Included for fellow blogger Kirk Jusko,* a TV ad with Mr. Spock and Captain Kirk from Star Trek as unwitting television salespeople. RCA owned NBC, so Star Trek did double duty; going where no man had gone before, and selling color televisions for their network.

As mentioned, the Beatles were featured in their first movie, A Hard Day’s Night. I am not sure if this was the first network showing of the movie or not, but it was an event. Richard Lester’s movie is a perfect time capsure of the 1964 Beatles and Beatlemania. Although it was only three years since it had been released, by 1967 the Beatles had moved far beyond their 1964 image.

The summer of '67 was the Summer of Love. The Beatles’ Sgt Pepper’s Lonely Hearts Club Band had been released, and words from the song, “Summer Rain,” by Johnny Rivers said it all: “All summer long we were dancing in the sand; everybody just kept on playing ‘Sgt Pepper’s Lonely Hearts Club Band’.”

Speaking of the Summer of Love, here are Bob Hope and Phyllis Diller as the last hippies in the far-off year of 1997.

As we have found out since his death, Bob Hope believed in free love all his life.

We have been seeing specials on television the past couple of years: Peter Pan, The Sound of Music, and The Wiz. But there have been stage plays on television back to when I was a child in the 1950s. (Peter Pan with Mary Martin and Cyril Ritchard was a big event in our house every year). So Kismet seems right in with the history of showing musical theater on TV. I am interested because one of my favorite all-time actors, José Ferrer, plays the lead. In 1965 Ferrer starred in the play Oedipus at the University of Utah. My girlfriend’s parents gave us tickets. Before the curtain went up I went to the men’s room, only to realize there was a thin wall between the men’s loo and the dressing rooms for the actors. I could hear Ferrer, with his booming voice, telling jokes to his fellow actors. I don’t remember exactly what was said, except I remember I stood at the urinal for a long time, listening.

Was it standard for Ferrer to tell jokes, maybe to alleviate the tension and butterflies before a show?

I also noticed the sidebar for It’s the Great Pumpkin, Charlie Brown, which was on its first annual repeat...and has been shown every year since.

The Peanuts specials have been money in the bank for the network since they were originally produced almost 50 years ago.

We finally get to the article on injuries in football ruining the game. What I found particularly interesting was the article focused mainly on injuries to the knees, ankles, shoulders, etc., from being hit and from the player hitting the ground. My curiosity about the current talk about concussions was covered quickly with the author saying: “. . . the game has the finest equipment in history, because sporting-goods firms as well as the Government cooperated in the design and development of football gear. The modern helmet, for instance, stems from military research and has virtually eliminated the head injury, so feared in the past.” [Emphasis mine]

Can it be the League has conspired for decades to keep the seriousness of brain injuries and concussions out of the news? We now know that many players develop lifelong problems, some lives severely shortened because of concussions and trauma to the brain. It had to be obvious to those who had been in the game their whole lives that players taking hard hits to the head later had problems, including dementia. I believe the NFL adopted a tactic from the tobacco industry playbook, to claim that “there is no solid proof” or that “further investigation needs to be done,” knowing full well their liability, and that the players were expendable and less important than the bottom lines of both the League and the team owners.

My wife and I subscribed to TV Guide from the seventies until at least some time in the nineties, when our local listings could not keep up with cable TV. I wish I had saved issues of the magazine. I am sure there are many things written and published then that would be pertinent for today.


*Kirk Jusko has been writing an epic history and commentary on the original Star Trek in his blog, Shadow of a Doubt. The link will take you to episode 12 of 15, and you can work your way around from there.

4 comments:

Kirk said...

Thanks for the shout-out.

As a Christmas present, I received a book titled ANDY AND DON about the real-life friendship, and, of course, celebrated acting relationship of Andy Griffith and Don Knotts. According to this book, Knotts first few movies were quite successful at the box office, and it looked like he might indeed become a major film star. He stumbled with a Hugh Hefner satire called THE LOVE GOD, and never quite regained traction after that, though there was a later cinematic rebirth of a sort when he appeared in a string of 1970s Disney or Disney-like G-rated films with Tim Conway. Also of interest, if you watch an old episode of THE ANDY GRIFFITH SHOW and see a scene or set-piece that seems to have little to do with the overall storyline (but is funny nonetheless) chances are it was written by Andy and Don as filler material.

Postino said...

Kirk, too bad Andy and Don didn't capitalize on their popularity as a team by making some movies.

I thought Andy Griffith was a much better actor than many of the roles he was presented with. The avuncular Matlock character is really an extension of Andy Taylor. Both he and Knotts were stereotyped as to their screen characters.

Don Knotts used his nervous tics and fear-face the way Bob Newhart used stuttering and deadpan facial expressions. They were both actors with shticks, but those shticks served them well.

I never saw The Love God. I read the bad reviews and thought it just wasn't something I wanted to see. On the other hand, whenever I see The Ghost and Mr. Chicken coming up on TV I try to catch it.

DEMiller said...

Thanks for posting this. There is a lot of interesting history in old TV Guides. Many shows never made it and are lost forever. I remember seeing some. In that period some big time movie stars tried to extend their careers by moving into TV. I saved a lot of the TV Guides I got from the late 60s and early 70s and read about failed attempts by people like James Stewart and others.
Being a few years younger than you, I also remember seeing some of the movies by Don Knotts. He made some very popular films for my generation. Some were remakes of earlier Bob Hope films, like Red Skelton, whose films were remakes of Buster Keaton films. What goes around comes around.

Postino said...

Dave, there isn't anything entirely new, and if those comedians "borrowed" someone else's old material there was always a younger audience for whom it was brand new.

I remember when Henry Fonda made a couple of TV series. He was one of the first true movie stars to finally get lured to the tube. He did The Deputy, where he showed up at the beginning and end of the episodes, and The Smith Family for one season, co-starring with Janet Blair and Ron Howard.

I doubt I would have the patience to watch either series nowadays. With a lot more choices today I am a lot more picky.